OK, I promise I'll stop writing blog posts about the EOS 7D shortly, but I've just come across another feature for movie exposure that is really quite interesting.
The camera features auto exposure and manual exposure possibilities when shooting video, but it also features a somewhat half-way house where it makes use of a bit of both technologies.
A couple of cameras ago we saw the appearance of Auto ISO setting - as in choose a shutter speed and aperture, and the camera will adjust the ISO to suit. And this has been added to the EOS 7D for movie shooting as well.
This is quite a big deal in some ways as once you start shooting a clip at a particular shutter speed, you won't want to change it. Equally, changing aperture may be undesirable either because you want a specific depth of field, or because turning the dial on the camera will result in noise (as in real, audible noise) coming from the camera dial and aperture diaphragm. By letting the camera choose the ISO, you can have your chosen shutter speed and aperture and still get the right exposure by having the ISO altered - from 100-6400.
Now clearly there are some settings you just can't do, like a fast shutter speed at a small aperture whilst shooting inside, and equally you may well find if you choose to shoot movies at 1/30-1/125 sec that the ISO can't go low enough when shooting with a fairly wide lens in daylight. This is where either extra lighting or ND filters come in.

Are you creative or reactive? It's an internal discussion I've been known to have on occasion and in fact, a discussion I've had with several other photographers in the past. It seems the two are mutually exclusive. But are they really?
EOS 5D Mark II does have one other trick as well - an automatic brightness setting for the LCD screen. Now, this is all very well, but I find it annoying. The brightness is controlled by a sensor beneath the screen. Trouble is, you can easily cast a shadow over the sensor making it change the brightness of the screen, when in fact, you don't need it too.
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